Cliffe Castle was officially opened as the new venue for the town’s museum on Tuesday 14th April 1959, when benefactor Sir Bracewell Smith handed over the title deed to the building to the Mayor and other representatives of the town council. At the same time a portrait in oils of Sir Bracewell, by A. R. Middleton Todd, was unveiled. The History Society has in its collection a copy of the programme that accompanied the reopening.
Cliffe Castle is a Victorian mansion, built as Cliffe Hall at the height of Keighley’s industrial prowess by architect George Webster for local lawyer Christopher Netherwood. It was purchased by the Butterfield Brothers in 1848 to serve as the family home and was used as a summer home by Henry Isaac Butterfield from 1878, who set about having it redesigned as a Gothic castle by architect George Smith. At this point it was renamed Cliffe Castle. It then passed to his son, Frederick Butterfield, until his death in 1943. Many of the original pieces of furniture and ornaments were taken away or auctioned by Henry Isaac Butterfield’s granddaughter, Countess Manvers (1889-1984), when she inherited the house in 1943.
The park and house were bought by Sir Bracewell Smith (Keighley-born hotel entrepreneur and Lord Mayor of London), and they were presented to the town in 1950. Sir Bracewell then set aside a trust fund of £100,000 (later increased to £120,000) which paid for a complete adaptation, restoration and ongoing maintenance of the building. The alterations were designed by Sir Albert Richardson and Mr E. A. S. Houfe, Architects of London, who also supervised the reconstruction work. One of the key changes was the introduction of the main hall – the octagonally shaped Bracewell Smith Hall – for use on ceremonial occasions and as an exhibition room. This meant demolishing various service rooms such as the kitchen, larder, servants’ hall and butler’s pantry. Other work included the refurbishment of the reception and dining rooms, to exhibit appropriate museum collections. Other structural alterations included demolishing one of the castle’s towers (the Nursery Tower) and reducing the height of the remaining one (both for safety reasons).
The Heritage Lottery Fund contributed £3.5m towards a £4.5m regeneration project for the park grounds in the 2010s. The work included the recreation of the Victorian glass palm house with adjoining new cafe, replacement aviary, and pond and water features. Other elements restored to their original splendour included ornate gates at the Skipton Road entrance, two Italianate marble fountains which last worked in the 1970s, and decorative streetlights, including a cast-iron dolphin lamppost (made to the same design as those on the Thames Embankment in London). The bandstand was given a new lease of life and heritage-style seating and waste bins and urns were added. The work was recognised in 2018 with a Green Flag award, a Platinum award from Yorkshire in Bloom, and a BALI National Landscape Award (for Regeneration Schemes over £500k).
A major restoration project inside Cliffe Castle reached fruition in March 2019. The large stained-glass window halfway up the Grand Staircase had originally been designed by the Powell Brothers of Leeds and was installed in 1878. At the centre was a panel depicting Henry Isaac Butterfield, his wife Marie Louise, and their son Frederick, all wearing Elizabethan costume. The portraits in the remaining nine panels were destroyed and replaced with plain glass in the 1940s, in accordance with the will of Sir Frederick Butterfield. When the house became the museum, these were enhanced with small roundels featuring portraits of Queen Victoria, her son Prince Albert Edward, Mrs Judge Roosevelt and Mary Butterfield, which had been relocated from their original positioning in Henry Isaac Butterfield’s boudoir. The 21st century work on the glass was undertaken by Jonathan and Ruth Cooke Ltd., and included removing the existing glass for careful cleaning and repair, and the reinstatement of full colour panels replacing the plain glass. No records from Powells remained, so the new colour panels were designed inspired by the existing Butterfield family panel rather than being exact reproductions of what had been there initially. At the same time as the glass was restored, work was carried out replacing the stone tracery by Stone Edge Ltd.
The image accompanying this article is a Lilywhite postcard of Cliffe Castle from the early 1960s, with the cover of the booklet celebrating the 1959 reopening and two images from the booklet showing the Bracewell Smith Hall and one of the reception rooms before items were added.